superman man of steel
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Man of Steel is a 2013 superhero film based on the DC Comics character Superman. It is a British-American venture[2] produced by Legendary Pictures, DC Entertainment, Syncopy Inc., and Cruel and Unusual Films, and distributed by Warner Bros. Pictures. It is the first installment in the DC Extended Universe (DCEU).[4] The film is directed by Zack Snyder, written by David S. Goyer, and stars Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayelet Zurer, Christopher Meloni, and Russell Crowe. Man of Steel is a reboot of the Superman film series that retells the character's origin story. In the film, Clark Kent learns that he is a superpowered alien from the planet Krypton and assumes the role of mankind's protector as Superman, but finds himself having to prevent General Zod from destroying humanity.
Man of Steel is a 2013 superhero film based on the DC Comics character Superman. It is a British-American venture[2] produced by Legendary Pictures, DC Entertainment, Syncopy Inc., and Cruel and Unusual Films, and distributed by Warner Bros. Pictures. It is the first installment in the DC Extended Universe (DCEU).[4] The film is directed by Zack Snyder, written by David S. Goyer, and stars Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayelet Zurer, Christopher Meloni, and Russell Crowe. Man of Steel is a reboot of the Superman film series that retells the character's origin story. In the film, Clark Kent learns that he is a superpowered alien from the planet Krypton and assumes the role of mankind's protector as Superman, but finds himself having to prevent General Zod from destroying humanity.
Development began in 2008, when Warner Bros. took pitches from comic book writers, screenwriters, and directors, opting to reboot the franchise. In 2009, a court ruling resulted in Jerry Siegel's family recapturing the rights to Superman's origins and Siegel's copyright. The decision stated that Warner Bros. did not owe the families additional royalties from previous films, but if they did not begin production on a Superman film by 2011, then the Shuster and Siegel estates would be able to sue for lost revenue on an unproduced film. Producer Christopher Nolan pitched Goyer's idea after story discussion on The Dark Knight Rises, and Snyder was hired as the film's director in October 2010. Principal photography began in August 2011 in West Chicago, Illinois, before moving to Vancouver and Plano, Illinois.
Man of Steel was released in theaters on June 14, 2013, in conventional 2D, 3D, and IMAX formats. Receiving mixed reviews, the film became a box office success grossing more than $668 million worldwide. Critics praised the film's visuals, action sequences, and Hans Zimmer's musical score but criticized its pacing and lack of character development. A follow-up entitled Batman v Superman: Dawn of Justice was released on March 25, 2016.
| Man of Steel | |
|---|---|
Theatrical release poster
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| Directed by | Zack Snyder |
| Produced by | |
| Screenplay by | David S. Goyer |
| Story by |
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| Based on | Superman by Jerry Siegel Joe Shuster |
| Starring | |
| Music by | Hans Zimmer |
| Cinematography | Amir Mokri |
| Edited by | David Brenner |
Production
companies | |
| Distributed by | Warner Bros. Pictures |
Release date
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Running time
| 143 minutes[1] |
| Country | |
| Language | English |
| Budget | $225 million[3] |
| Box office | $668.1 million[3] |
Cast
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- A Kryptonian sent by his parents to Earth as an infant to escape the destruction of his homeworld, Krypton, and raised in Smallville, Kansas, under mental guidance of farmers Martha and Jonathan Kent until he is inspired by the holographic message from his late father to become Earth's greatest protector (Superman is depicted as being 33 years old, at least from the moment he is found, in the present timeline of the film).[5] Cavill is the first Britishand non-American actor to play the character.[6][7] He was previously cast in Superman: Flyby, which was ultimately shelved,[8] and was considered for the role in the 2006 film Superman Returns, but lost to Brandon Routh.[9][10]Cavill stated, "There's a very real story behind the Superman character." He explained that everyone's goal has been to explore the difficulties his character faces as a result of having multiple identities – including his birth name, Kal-El, and his alter ego, Clark Kent. Cavill also stated that, "He's alone and there's no one like him," referring to Superman's vulnerabilities. "That must be incredibly scary and lonely, not to know who you are or what you are, and trying to find out what makes sense. Where's your baseline? What do you draw from? Where do you draw a limit with the power you have? In itself, that's an incredible weakness."[11] In an interview with Total Film magazine, Cavill stated he had been consuming nearly 5,000 calories a day, training for over two hours daily and plowing protein to pack on the muscle mass.[12] Cooper Timberline was cast as the 9-year-old Clark Kent, and Dylan Sprayberry was cast as the 13-year-old Clark Kent.[13]
Box office
Man of Steel grossed $291 million in the United States and Canada, and $377 million in other territories, for a worldwide total of $668 million,[3] making it the highest-grossing solo Superman film ever, and the second-highest-grossing reboot of all time behind The Amazing Spider-Man (although it did beat The Amazing Spider-Man in North America). Calculating in all expenses, Deadline.com estimated that the film made a profit of $42.7 million, for Warner Bros.[123] The film earned $116.6 million on its opening weekend, including $17.5 million from IMAX theaters.[124] Man of Steel earned an additional $111 million from DVD and Blu-ray sales.[125]
Man of Steel made $12 million from a Thursday night Walmart screening program, and an additional $9 million from midnight shows.[126] This marked Warner Bros.' third-highest advance night/midnight opening, and the biggest advance night/midnight debut for a non-sequel.[127] The film eventually earned $44 million during its opening Friday (including midnight grosses) and $56.1 million when the Thursday night showings are included. The opening-day gross was the second highest for a non-sequel, and the 20th largest overall.[3] Its opening weekend gross of $116.6 million was the third-highest of 2013, behind Iron Man 3 ($174.1 million) and The Hunger Games: Catching Fire ($158.1 million), and the third-highest among non-sequels, behind Marvel's The Avengers ($207.4 million) and The Hunger Games ($152.5 million). It also broke Toy Story 3's record ($110.3 million) for the highest weekend debut in June (the record was again broken two years later by Jurassic World's opening gross of $208.8 million).[128][129] However, on its second weekend, Man of Steel's box office fell almost 65%–68% if the Thursday night gross is included—putting it in third place, behind Monsters University and World War Z. Box Office Mojo called it an "abnormally large drop," close to the second weekend decline for Green Lantern.[130]
Man of Steel earned $73.3 million on its opening weekend from 24 countries, which includes $4.2 million from 79 IMAX theaters, setting a June opening-weekend record for IMAX.[124] The film set an opening-day record in the Philippines with $1.66 million.[131] In the United Kingdom, Ireland and Malta, the film earned $5.6 million on its opening day and £11.2 million ($17.47 million) on its opening weekend.[132][133] Its biggest opener outside the United States was in China, with $25.9 million in four days (Thursday to Sunday).[134] In total earnings, its three largest countries after North America are China ($63.4 million), the United Kingdom, Ireland and Malta ($46.2 million) and Australia ($22.3 million).[135]
Man of Steel - "Fate of Your Planet" Official Trailer [HD]
Effects
John "DJ" Desjardin served as the visual supervisor for Man of Steel, with Weta Digital, MPC, and Double Negative providing the visual effects for the film.[90][91] Zack Snyder wanted the film to "appear very natural because there’s some very fantastical things in there and he wanted people to suspend their disbelief, and we the visual effects team had to make it as easy as possible for them to do so." Desjardin noted that the intent in shooting the film was to utilize handheld devices to make the film feel like a "documentary-style" film. "We had to think about what that would mean, since we also had to photograph some crazy action," said Desjardin. "So for a lot of the previs we did, we’d start to think where our cameras were and where our cameraman was. A lot of the rules are the Battlestar Galactica rules for the space cams that Gary Hurtzel [sic] developed for that miniseries, where we want to make sure if we're translating the camera at all it makes sense. Unless the action is so over the top, like in the end where Superman is beating up Zod—we had to break it a bit."[92]
For the first act of the film taking place on the planet Krypton, Weta Digital placed alien-like planet environments, creatures and the principal means of display—a technology the filmmakers called "liquid geometry". Weta Digital visual effects supervisor Dan Lemmon explained that, "It’s a bunch of silver beads that are suspended through a magnetic field, and the machine is able to control that magnetic field so that the collection of beads behave almost like three-dimensional pixels, and they can create a surface that floats in the air and describes whatever the thing is you’re supposed to be seeing." The beads of the display, which up close would appear to be pyramids with a slight bevel, were designed to create a surface of the object to depict inside a "console-like" figure.[92]
In the modeling and animation aspect of the liquid geometry, Goodwin explained, "We had to develop a pipeline to bring in assets, so instead of going through the route of reducing the polygon count to something usable what we would then do—you would take the model in whatever way it was made and just scatter discrete points onto it, and extract the matrix onto the animation and copy these points onto the matrix and have these sparse points behaving in a way that the model would."[92] After the animation, artists duplicated the beads onto the animated geometry for a pre-simulated lighting version to get approval on how the object would read. Sims were then run "on all the targets which would be discrete beads floating around on top of the surface which would have its own set of parameters," said Goodwin. "The bead size or the turbulence that would crawl along the surface constantly updating the orientation was based on the normal provided by the surface. That was then saved to disk and we would use that sim as the final target for the simulation." After the simulation process, Weta Digital ran every bead through a temporal filter to remove jitter to control the noise. Lighting solutions directly worked on the set. Weta utilized RenderMan to take advantage of improved ray tracing and instancing objects.[92]
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